Born in 1986 and based in Bamako, Ibrahim Ballo is an artist whose artistic approach is rooted in painting weaving, a technique inspired by the women of his Senufo community, a rural region in Mali, known for their cotton weaving to create clothing.
His artistic work explores the theme of identities through masked subjects, offering a deep and extensive reflection on this fundamental issue. His canvases, where knotted threads intertwine with networks of acrylic-painted lines, create a myriad of connection points. These artistic interlacings suggest a metaphorical connection with the interwoven and complex stories that shape identity.Cotton, carrying a multi-layered history, is at the heart of his work. Beyond its functionality, it holds symbolic patterns, evoking narratives of circulation, migration, and appropriation. Thus, Ibrahim Ballo subtly and poetically addresses profound social themes, such as:- oppressions,
- marginalization,
- and inequalities.
His artistic approach goes beyond mere aesthetic representation; it seeks to immerse the viewer in an introspective reflection on the complexities and diversities of human identities. Through his art, he offers a deep and engaging vision, encouraging an exploration of multiple layers of meaning and a questioning of social and cultural norms.By combining the painting weaving technique with strong visual symbols, Ibrahim Ballo transcends the boundaries of visual art to create a space where history, culture, and identity meet in a poignant way.